the second release on andras tongue-twisting label punp. corn opens with a minute of hard-panned stereo banjo a deep bassline close on its boots. dust strikes a more sombre note - the distant bleep of a doof lost in a cloud of red dirt and radioactive fallout. are those rave whistles or geiger counter clicks? seal the doors and take a landcruiser tempo tour of a contaminated atomic test site. high fructose samples from the frozen food isle. hot-music that’s still cold in the middle. all songs written and published by andrew wilson. recorded in melbourne, australia. art by art.

following the first two elegiac notes to our dear lost cindy, palmbomen ii s third dedication arrives with the last 12inch available independently of the four piece set and a new episode of real talk. throughout memories of cindy pt. 3, voicings from the palmbomen ii paradigm are pared down to their vascular essentials. pumping iridescent, melodic acid house through club fog and californian smog on ultimate lovestory fantasy, teleac, and disappointment island, the nearly hymnal qualities of wilcos funeral and fat director counter the dance cuts and commemorate cindy with colors reminiscent of schmoelling-era tangerine dream as twisted by kai hugos melon

almost a year has passed since the ghost of serena butler made its appearance on the realms of eerie - techno oddball marco shuttle’s label. now s/he and other beings gave birth to a new continuum, bene tleilax, where serena’s second ep, “from the cloud to our bodies”, has been conceived.
dub visions and found sound sculptures float over a maelstrom of skeletal techno remains, together with delicate melodies and vocal swarms from a realm where nothing is so sacred that it cannot be reengineered and transformed. this is a release which seizes alienation as impetus to generate new worlds while remaining still counter-trend to certain dark souls in modern electronic music. another biomechanical effort which sounds like the perfect nexus of fluid hopes and unparalleled roles.

first anniversary re-press of bokeh versions long sold out 2nd release. glacial dancehall is the slowest dancehall mixtape ever heard. culled from his private 7inch archives, each side figures dancehall mutations, pitched and screwed by jay glass dubs hardware acceleration. jay glass dubs is an exercise of style by artist dimitris papadatos focusing on a counter-factual historical approach of dub music, stripped down to its basic drum/bass/vox/effects form.

debutant trujillo, previously worldwide known as mangelt lands on lowwaxx. the main (a) side of the record by trujillo, is a solid balance of organic textures embraced with synths and modular basses. elegant waveforms rolled with mystic atmospheres. the other side of the record (b) shows up a galaxy settled of raw drums scattered by glitchy percs. melted with analog basslines result from the union of two alchemists of the mental dancefloor. trujillo & lowwaxx, hatch the perfect potion ever since they team up.

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

it took me a couple of years get invited to christophe de groot’s (aka circadian rhythms) homebase, and a couple more years to dive into his sonic archive. but time tells and basic moves 02 is what came out. the two tracks were recorded at earguard studio in brussels around 1996, at a moment when his interest was moving away from club music towards other golden musical horizons. “frequency” is a macro tech-house track in mid tempo.
i’m super happy i could archive it on wax because we almost fucked up the master dat tape by blowing up the player during a marathon listening session at his place. we had to open the device, unroll the tape across his house (full of records) and fold it back into the mini dat cassette. after a few hours and twenty metres of tape, the problem was solved and the tracks archived: “a dose of authenticity at a time of post-counter-cultural stagnation”. “house speaker call” originated in proto-techno forms. christophe never sees techno as a type of music but as a process. as a producer, collector and deejay he always dives deep into authentic forms of electronic music. deg’s antic personality shines out in the middle of the harsh beat-driven electro/techno track like a hopeful melody passing by on its elliptic orbit. tune your cells into his vibrations and get ready for these two timeless club tracks.

back at the counter... same faces, new stories. comberti opens up with a tale from a journey to some far away psyche truths. zk bucket butts in with a more rugged sound... tinny synths, shooting tambourines that cause you to hide under the ground. the faster b-side comes with mattlack and a closed arrangement for high fidelity freaks... layers on layers. sode closes with a track for the simple minds – like me and you... ready to spin?

abstracte: barcelona avantgarde & industrial 1981-1986. abstracte is a retrospective, a contemporary vision towards the past, a glimpse into a historical, artistic and musical moment in time, a spontaneous movement, disjointed and groundbreaking, wholly counter-culture and out of the mainstream circuits, which barcelona lived in the late 70s/ early 80s, hardly remembered today. edition of 500 numbered copies. lp presented in a heavy weight kraft die-cut jacket. hand stamped sleeve and insert (30cm x 30 cm). includes dossier with pictures and detailed information regarding all the bands featured on the album.

77 mins (abridged) version of full-length release containing music from all 8 albums on double heavyweight vinyl. this is the english version (vocals & track names where available).

while she may be based in berlin now, shanti celeste has deep roots within idle hands. from working behind the counter when the shop first opened to playing the label parties and co-running the neighbouring brstl label, shanti s contributions to the bristol house music scene have been ever-increasing as she has grown as an artist. having put out our her second ever 12inch,days like this, back in 2014, it gives us great pleasure to welcome her back as an internationally respected producer with a relentless gig schedule and a rich back catalogue of warm, heartfelt dance music that kicks where it counts. shanti s stylistic palette may have broadened over the past four years, but she s also retained a natural, unpretentious quality in her tracks that can span all manner of grooves and tempos. make time certainly chimes with her earliest house productions, but it s also offset by a wistful, meditative maturity. swooping pads, distant vocal threads and delicate fragments of breakbeat flirting in an aqueous soundscape whatever city shes based in now, this is surely deep house infused with a quintessential bristol ruffness. -thoughts- meanwhile speaks more to the artistic development shanti has undergone over the past few years, bearing the influence of melodic techno, electro and broken beat while striking a unique chord in the process. it s a hypnotic, alluring track that eschews basic dancefloor demands in favour of a more intimate headspace shaped out by snaking, polyrhythmic synth lines. both make time and thoughts stretch out over extended running times all the better for losing yourself in the heady atmosphere shanti has created on her very welcome return to idle hands.

london-based producer and dj tarquin has returned to gobstopper. “grease (chord mix)” is a high tempo example of the genre’s more experimental side, using fragmented percussive samples set to a background of pitch-bent chord stabs and twisted melodic elements.
providing as much impact in the track’s negative space as in its instrumentation, tarquin s minimalist approach to production on “grease (chord mix)” establishes its boldness and makes it one of the most recognisable examples of deconstructed club music of the year so far.
as a counter-point to the abstract starkness of “grease (chord mix)”, the release s flip side “foxtown” utilises ominous synths and distorted bass tones to tackle the more upfront sound of first generation grime production.

new uk based imprint aiming to bring you atmospheric and emotional treats that toe the line between bass heavy, electro leaning, house & techno and everything in between. the label’s first outing comes from the duo thread. tabor kicks of the release and it’s a motorik workout that combines elements of minimal techno and acid, with a squelchy bassline and moody synth melodies all carried along by tight percussions. dalling is a straight up electro jam, a galloping start/stop percussive pattern, ever-present pads with more layers of squelch added for maximum effect. on the flip brackenbury picks up a couple of notches on the bpm counter - driving proceedings to 130+, a proper heads down techy number with elements of micro house, filled with quirky sounds and lush pads layered on top of syncopated percussive patterns. the final cut on the ep conningham does away with all pretences and hits you in the face with another dose of unrelenting space music. heavy bass line, crunchy electro percussions and sci-fi atmospheric pads rounding off the first release in style.

theo conard, also known as paxton fettel delivers his second lp on greta cottage workshop. entirely produced by mr fettel its an exemplary mix of predominantly instrumental contemporary jazz funk, sometimes featuring the vocal talents of one olivia lincoln.. from the very beginning it is totally and utterly heartfelt - until the floor churning and brazenly life affirming end his emotions are worn firmly on his sleeve. its a serious embodiment of proper fusion and a testament to a phenomenal producer progressively pushing his work in a playful, honest, admirable and honourable way whilst not taking himself too seriously!

after 5 years of throwing parties in leeds, london and across europe, flux inaugurates their record label with a stunning 4-tracker from enigmatic newcomer shedbug. accompanying 3 original tracks are german heavyweights tuff city kids (gerd janson and lauer) on the remix. pressed onto 180g high quality black vinyl (no digital release), this limited run is presented in beautiful cover and label artwork from laura zhang. opening track aftermath is a lo-fi techno ballad that pairs distorted kicks and brittle hats with gliding pads and sparkling synth details. siren, a gawping broken-beat roller, counter-balances by drawing heavily upon pioneering sounds of late-2000s uk bass/dubstep. on the flip tck s retro take on aftermath is an uplifting gust of 90s-inspired euphoria. with tough beats, a touch of acid, and rave-tinged string lines, the remix caters for all peak-time occasions. recovery closes with a tender 7-minute sojourn through hazy dream-states, subtly melancholic, but ultimately a cathartic experience. poignant, effective, and well polished, afterglow delivers a diverse but focused sound. highly emotive beats for the more sensitive dance-floor

anthem alert ! swedish house royalty lands a hefty old jam down to warm us through winter classic house flavour here, but pulled off with his tried an tested ear for a hook and a tough beat to sail er by. it s the very definition of ear worm ! with celebrated releases spanning almost two decades on esteemed imprints like maw, sonar kollectiv & especial, you know mr e means business... our man in moscow, lay-far works up a sweat on his dub and remix versions, amping up the low end and applying some irresistible crunch to counter the smooth a side. limited copies folks, so don t snooze on this !

the original track is an industrial and distortion experimental project of the owner label federico amoroso which contain a really metallic and dark sound. positive centre his remix it s a dark walk into industrial noise and distortion audio bites, with ambiental moment and powerfull distroy counter. the first track of b side it s remixed by italian producer plukkk which heavy dominating with relentless attitude and distortion driving kick - drum, with big impact for the dancefloor. the last remix is an collaboration with the japanese producer yuuki sakai which has an original idea to add a lyrical singer in the middle of distortion broken techno beat. the new label started well: arriving the big names of the genre and industrial noise skarn division label founder federico amoroso, a new label that will touch many different genres and musical nuances: techno, industrial, noise, drone, ambient and experimental, a melting pot of sounds joined together by a passion for harsh corners and futuristic electronics. artists who remix the first disc of the founder federico amoroso are positive centre (who played several times in places like berghain and tresor), plukkk and yuuki sakai: every producer knows that long in the field of industrial techno and noise music (just look, to name one, the presence of the same positive centre to the latest editions of the berlin atonal festival, or even yuuki sakai: remixed by oscar mulero .. and so on!)

there is a way to reach into the pulse of everything. it comes when ideas are stripped down to their bare essentials, blossoming then into massive monoliths that are designed with elegant simplicity. such is the path taken on our next limited 7inch, led by chronicle veterans staffan linzatti and new comer to the stable, arnuad le texier. entitled far behind the line, it embarks with a sense of soaring weightless that only arnaud can provide. radar is a statement of futurism, thrusting the listener forward and farther into the in nite. its sonic qualities mimic radio towers, satellites, and frequencies transmitted from the far reaches of the unknown.destination acts as the perfect counter, disrupting the psyche in all the right ways with dissonant wails and unearthly chimes. together they come as a distinct package, presenting an impressionistic interpretation of what may come, or what already has.

turbo recordings is proud to present the definitive collection of remixes for planet e, tigas collaboration with hudson mohawke from this years no fantasy required lp. in fact, were so proud and excited that were going to jump straight into blow-by-blow trackdescriptions while the passions hot. 01 dense & pika remix hypercolour label boss alex jones and chris spero (aka glimpse) deliver what canresponsibly be called one of the years biggest chart-topping smash remixes. this wasalso released on counter records as part of tigas album deal, so at worst you have aspare copy for your bomb shelter. 02 danny daze polyester mix we have been trying to get this miami-based producer on the label for years, and thisremix is the closest weve gotten so far. sometimes life is about compromise, and if youget enough future-italo-electro hits like this one you may be lucky enough to forget whatyou wanted in the first place. 03 mele remix dont you ever dare say that turbo doesnt care about young uk producers. until youstop for good, well keep tapping talents like mele, whose love of brazilian beats, classichouse tracks, and trans-atlantic hip-hop shine through on this mix. but while genre checklists are great and vital and exciting and so much of the reason we do what we do, its the music thats the pudding youll find your proof in.

the fouth and final limited edition delicacies 12inch this year is, in an slightly counter-intuitive twist, not taken from the forthcoming smd album, welcome to sideways. it didn t quite fit in with the flow of the track selection on the album, but we felt it really warranted its own separate release particularly because of the ace matrixxman remix. both versions are driving, minimal techno, scattered through with melodic bursts but matrixxman s lsd rework pushes the bpms and frenetic energy to new levels

after a few months of silence following head honcho marco shuttles sing like a bird (reprise) ep, eerie records is back on duty with a strong and utterly refreshing techno release by talented artist serena butler, an obscure producer digged out of the submerged underworld as it already happened previously on shuttles imprint that got us used to releases by relatively unknown and underrated artists. arpeggiated synth lines layered on booming reverbed kick drums mixed with percussive elements of distorsion and lush pads make for a very playable release that is at the same time dreamy and deep, despite being also very organically open sounding, musical, and in many ways counter-trend and different to the dominating dark droning techno style that is so popular these days.

ears have eyes are ready to drop their 4th release, this time drawing on the fertile pool of talent available in their adopted home of south east london. we kick off with the duo fyi chris who, while not manning the counter of peckham institution rye wax, have been putting together an impressive string of releases on labels such as church, lumberjacks from hell and rhythm section.

the grooves of thomas white and pete williams aka natural rhythm, have been a mainstay in the sets of robsoul boss phil weeks for more than a decade. today he pays ‘tribute’ with a special re-release of some of his favourites. born in a garage in the late 90’s, natural rhythm was a meeting of passionate musical minds. working together the pair sought to create their own style and sound, influenced by the tracks they were regularly spinning in their own dj sets across the country. creative sampling and their own raw beats, together with live instrumentation and regular guest vocalists, saw natural rhythm create a strong catalogue that, as we know, are still getting played today. with three albums and over 35 ep/single releases to their name, there more than enough music for label boss weeks to select from for the tribute ep. a tough job? of course. however, phil went straight for the four that never leave his box. leading the ep are the sun-drenched vocal vibes of ‘something big’, the title track of natural rhythm’s 1999 release on under the counter. our a2 is the lead track from 2001’s last call at the martini ranch ep, ‘chicago nights’, with its quaking bassline and disco dalliance. on the flip we’re treated to a choice selection from natural rhythm’s 1999 double album contrast in nature. first up with its celestial chimes and thumping kick is ‘smoldering island’, taken from the original part 1. closing the tribute release and taken from part 2 is the devilishly funky and suitably titled feelgood jam ‘energized’. we definitely are!

tiga is a pioneer of canadian electronic music. he is not one to shy away from new sounds, and is somewhat a veteran of half a dozen different music styles. his latest album phenomenon ‘no fantasy required showcased his eclectic, individual and much-loved production style. his original single ‘make me fall in love oozes with groovyness and has been remixed by benny benassi, audion and prosumer for digital release last april via counter records. alas - the make me fall in love 12? vinyl ep arrives on turbo recordings september 30th, featuring the aforementioned prosumer remix and exclusive edu imbernon & extended mixes. the new remix from edu imbernon is clean, lean and punchy - edu comes through with the deepness while maintaining a certain degree of energy that he has become know for in his latest productions. a delightful, almost ethereal mixture of synth and vox takes this jam deep into the night, and is bound to become an ibiza closing anthem.

it is very difficult to present david duriez without writing an encyclopedic tome as its influence on the house music in france was decisive. since its inception in 1992, david released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020vision, ovum, systematic, pokerflat, f communication, under the counter, stickman, crosstown rebels, the end, etc .. (the list is long, see discogs.com to be convinced) and as many remixes for some of the greatest artists (think moby, dj sneak, gemini, dj hell, llorca, telex, random factor, johnny fiasco, paul johnson, jori hulkkonen, ralph lawson, random factor, kenny hawkes or mr.c). founder of the label brique rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as robsoul with phil weeks, freak n chic with dan ghenacia (from apollonia) or rz muzik. at a time when david had federated online the cream of the house producers via a forum (far and long before social networks), ivan smagghe had nicknamed him -the producer of the producers.- , a true house music activist, but most of all david duriez is a devastating dancefloor dj, he did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. truly one of the most important players in the french electro scene, david is back on tracks after a few years hyatus. but don t call it a comeback because he has never really gone awol, he has been watching the scene and now he s back in the studio. you can expect a (very) long serie of releases for 2016, you have been warned!

the third release from new imprint dama dama, is another offering from label co-founder pedestrian, following the label’s well-received debut ep - ‘circadian rhythms’ . ‘pick your shots clean’ is a track inspired by this spring’s european dama dama label launch tour, which saw founding members pedestrian & maribou state take to the road, curating bespoke parties with back to back all night dj sets. as ever, the music itself is hard to categorise, but we would say that it sits somewhere between a rugged 90’s chemical brothers track and a 70’s arabian psych-rock record. the flipside - ‘airs & graces’ - serves as a counter-balance (a kind of yang to the ying of the a-side), that picks up where circadian rhythms left off, taking the listener off on a melodic 5-minute trip. currently gearing up to release a new signing in the dama dama camp, the team also have their sights set on the curation of festival stages, more intriguing night endeavors and a new mixtape series, all set for delivery over the coming months. pedestrian now with his sights firmly set on writing his debut lp, will be found at a number of festivals over the summer.

support from truss, jerome hill, warlock, esther ofei, dexorcist, noyeahno and others
ugly funk return in style with blackmass plastics! features a double-sided 12 inch insert – very limited copies only

after a five year absence the illusive cottam label returns. since the original series paul has travelled the world djing, released on labels such as aus & versatile and started his own imprint ruff draft for his own original productions and tracks from other producers. currently taking a break from djing & concentrating on production it felt like the right time to reactivate the label that started it all with some new under-the-counter specials. first up we have ‘mixing tool’, a heavy beat and percussion setting the dark & foreboding tone, the unease increasing like something is creeping up behind you until the distant war cries reveal themselves - a deep track that is much more than the title suggests. next up, the long awaited vinyl release for the cottam re-wiring of a classic film title track, mixing the best elements of the originals synth score with a club ready beat and acid that adds to the original - this is one of the finest carpenter reworks you ll hear.

nice price deal !!! this ep is the culmination of over a decade of research into the hidden mysteries that dictate the workings of the power structure of the world we live in. the vocals reference situations and phenomenon hiding in plain sight. the matrix is real, and for those wishing to know more this ep is n essential guide. a1- is future modern aaacid house in ¾ time. the odd time signature works in unison with the phrenetic pastor manning telling it like it is with regards to the corrupt us president. the worst in the history of the entire nation. a2 - references jose’s delgato’s mind control experiments and the fact that this technology exists and is in use today. the track was made using the advanced mathematical scheme known as the golden ratio to achieve maximum “pleasure response” from those listening and dancing to it. b1 - emotive chord work along with a huge rolling bass line set the stage for redsilverj’s vocals about the 2 types of people with regards to the new world order. those who will sell out, and those who will wake up. period! lots of changes, melodies, and counter melodies work to make this the most beautiful sounding cut on the record. lush deep house. b2 - the deepest darkest house. ominous almost foreboding chords lay a murky foundation that quickly unfolds like a ghostly mist. the vocals are about the artificial womb phenomenon and the fact that humans will react and be treated like cattle by the elites. late late night deep banging higher consciousness house.

2016 reissue! ... of course best known as the dj of most mysterious drexciya, sherard ingram (urban tribe) has been a strong pawn in the resistance of underground music... now, out of the shadow of detroits underground, one of the godfathers of the electronic scene joins forces with belgiums underground label mewe/weme. immediately, the first track is confirming dj stingrays drexciyas membership while the second track is a dive into the (un)known abyss. and further with robotic and futuristic anthems reminding us all that big brother is more than just fiction... theres a 68.71 percent chance you re being watched right now

remastered re-issue on 180 gram vinyl.

taking the counter comment to the album’s title track ‘the day is my enemy’, the prodigy are pleased to offer details of a forthcoming ep entitled ‘the night is my friend’ on limited translucent vinyl. the ep includes album tracks ‘get your fight on’ and ‘rhythm bomb’, two fresh remixes and the previously un-released, fan favourite ‘awol’. ‘awol’ has been a track the band have played live since 2012 but as the album writing and recording process developed the band decided to hold awol back . now, after reworking it into a new unheard version they feel it’s time to make it available on record.

secretsundaze 18th transmission comes with love from bristol based artist and newcomer shanti celeste. with just a few releases under her belt on the likes of julio bashmores broadwalk, her own label brstl and idle hands (the infamous bristol shop where she also man s the counter a few days a week) she has been quick to impress.

modernista records reaches it’s fifth release and it’s over to paul bennett again with a pair of impressively varied productions. * on before off* is stripped to the bare bones techno with ever contorting razor-sharp arpeggios. as a counter balance, * although sometimes appear* is deep, emotive, melodic house with sound system-shaking bottom end.

out on vinyl for the very first time, these original recordings were produced by the band on a 4-track cassette deck in 86-87, except track a2, recorded on a 8-track tape recorder at 8pm studio in lyon (march 87).

2000black are back with three timeless pieces that blend the group s love for soulful futuristic beats and organic instrumentation beautifully. firing on many levels and sure to tear up a floor or two this summer. big tip and honour to have them on the label!

the austerity policies imposed by the governments of northern euope countries has impoverished the mediterannean lands. the failure of bruxelles bureaucracy has smoothed the way for th return of the ottoman empire. austerity is a collective of protesting producers coming from the periphery of the european union. their tough-­&#8208,sounding music is a reaction to the unfair decison of the troika, their message of peace is conveyed through hardware hard-­&#8208,core house music.

while it may seem as though it has been a quiet year in the studio for brooklyn-based dj/producer greg schappert (aka donor), his first full-length album entitled against all on chicago-based prosthetic pressings, will prove otherwise.

repress 2014 - next up in the 10 inch series on mos_deep another heavy 2-tracker of d marc cantu, which will be followed by a (mini)-album later this year. the opening track is a fierce chicago-styled banger kicking off with an extremely solid and frantic bassline while d marcs low-pitched voice asks us >how are we doing?<. the track slowly evolves into a deep and atmospheric masterpiece with spatial strings slowly expanding throughout the track.
>how are we doing?< is counter-balanced by the fragility and subtlety on the flipside. >a second earth< is a laid-back and emotional retro-futuristic techno track overflowing with sadness and melancholy, echoing the sounds of the artificial-intelligence era. like a lost vessel drifting through space this track captivates and terrifies at the same time. a beauty and a beast!

fader ranger, the amalgamation of chicagos nick maurer and londons neville attree, are set for exceptional things in 2014. with their debut album coming in the autumn on hfn music, the duo have been honing their dynamic, affecting sound, ready for a full-scale assault on the senses

part 2 of design a waves continued experiments in sound, sci fi and alien counter balance... limited edition ep with sideways thinking cosmo knex artwork.

circling sydney as the most prodigious producers in their adopted home, tuff sherm (perth-born eugene hector / dro carey) and cassius select (canadas lavurn lee / guerre) guise-up for a split 12 that follows dros seven-date debut european tour, and cassius breakout one ep on gardlands hunter gatherer imprint. returning home after a string of releases via merok, ramp, opal tapes and the trilogy tapes, tuff sherm shifts the counter balanced brilliance of dro carey with beast numeral - a six minute succession of classic house jaunts.

one of the biggest hitters on the uk house/techno scene right now delivers a naughty but very nice under-the-counter duo of club friendly reworks of two iconic british bands.

tim heckers masterpiece *mirages*, originally released only on cd in 2004 by alien8 recordings, finally gets a proper double 12 inch vinyl release, remastered and housed in a gatefold sleeve..

following lion fire featuring jinxs first release on dread and having featured on the dub dread 4 cd compilation this now gets a vinyl release. big in the game huge dance floor anthem.
the ep is a limited edition vinyl release, grab them while you can.

young marco made a big impression to a new lot of listeners at the beginning of 2012 with his esp institute debut, nonono / darwin in bahia (played by dixon and james murphy amongst others). the young man from amsterdam now returns with a sister 12inch to his nonono, a perfectly complimentary piece of wax that maintains his esoteric stance on house music, and proves that hes no one-trick pony. video days blends marcos signature analog synth work with tribal rhythms and a loose sense of narrative, while the flipside later than u think takes a more cheeky approach, pairing a blissfully stabbing core melody with a mousey counter-melody and setting it all over some huge tom-heavy drum programming. these songs are the perfect close to a beautiful summer, whether youre lost in euphoria as the sun comes up, or simply dancing around your kitchen in the nude.

new yorks premier experimental drum & bass imprint, offshore recordings, teams with londons left of centre 170 bpm music tastemaker, organic, to present the osrorg series. the two combine mutual musical vision with a joint exploration of the subversive sounds. the creative essence of both new york and london are captured in this transatlantic collaboration- showcasing true urban breakbeat culture. osrorg002a daat - >orange line< newcomers daat bring a serene piece of music just in time for summer. one half of the duo, jason os, is no stranger to lush pads and beats with releases on modern urban jazz and counter intelligence. a catchy lead line and moody atmospheres are rooted atop a heavy 808 kick drum. think of the musical marriage of david lynch and 170 bpm, with a brooding baseline to keep it all grounded. for fans of synkro and indigo. osrorg002b daat - >orange line (deep blue remix)< before you ask, yes, its >deep blue<, deep blue. the legend has come out of retirement to bless us with this amazing remix. he completely deconstructs the elements from the original and filters them through a completely different style. deep blue combines a collage of smooth glacial textures with hypnotic driving beats re-arranging the dna of the original track. techno nuances at 170 bpm.

super limited vinyl only release. greco-roman’s new signing and secret dj team weapon enchante opens the new year with a selection of under-the-counter, r n b flavoured bootlegs. with remixes imminent for metronomy, azari & iii and joe goddard, a full ep coming featuring sampha and a release on aramac’s sticks n stones label, this should be a busy year for the mysterious north londoner.support from toddla t, sinden, roska, benji, will saul, tayo to name a few